A
MAZE
IN
ZAZAZA ENTER ZAZAZA
ZAZAZAZAZAZAZAAZAZAZAZAZAZAZ
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGIKALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
1234567891011121314151617181920212223242526262524232221201918171615141312111098765432
A |
B |
C |
D |
E |
F |
G |
H |
I |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
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J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
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S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
- |
1+8 |
- |
1+8 |
- |
1+8 |
- |
1+8 |
- |
- |
9 |
- |
9 |
- |
9 |
- |
9 |
- |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
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1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
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Z |
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A |
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G |
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I |
J |
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L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
26 |
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I |
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R |
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8 |
9 |
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5 |
6 |
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1 |
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6 |
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8 |
+ |
= |
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4+3 |
= |
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= |
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= |
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8 |
9 |
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14 |
15 |
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19 |
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24 |
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26 |
+ |
= |
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1+1+5 |
= |
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= |
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= |
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26 |
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I |
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R |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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1 |
2 |
3 |
4 |
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7 |
8 |
9 |
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2 |
3 |
4 |
5 |
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7 |
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+ |
= |
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8+3 |
= |
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1+1 |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
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10 |
11 |
12 |
13 |
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16 |
17 |
18 |
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20 |
21 |
22 |
23 |
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25 |
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+ |
= |
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2+3+6 |
= |
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1+1 |
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= |
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26 |
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I |
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R |
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1 |
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4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
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3+5+1 |
= |
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= |
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= |
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1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
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1+2+6 |
= |
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= |
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= |
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26 |
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R |
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1 |
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1 |
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1 |
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+ |
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occurs |
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3 |
= |
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2 |
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2 |
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2 |
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+ |
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occurs |
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3 |
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3 |
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occurs |
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4 |
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4 |
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4 |
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occurs |
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3 |
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1+2 |
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5 |
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5 |
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occurs |
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1+5 |
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6 |
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6 |
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occurs |
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1+8 |
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7 |
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7 |
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occurs |
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2+1 |
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8 |
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8 |
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occurs |
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2+4 |
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9 |
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9 |
- |
- |
- |
- |
- |
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- |
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+ |
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occurs |
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2 |
= |
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1+8 |
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26 |
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4+5 |
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2+6 |
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1+2+6 |
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5+4 |
26 |
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1 |
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9 |
1 |
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6 |
7 |
8 |
9 |
1 |
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7 |
8 |
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26 |
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HymnSite.com's Suggested Hymns for Trinity Sunday (Year C) www.hymnsite.com/lection/cpe02.htm
... come to mind: all encompassing light; streets of gold; crystal seas; perfection. ... This week's featured hymn is attributed to Pope Gregory the Great (540-604).
A |
= |
1 |
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3 |
ALL |
25 |
7 |
|
E |
= |
5 |
- |
12 |
ENCOMPASSING |
135 |
54 |
9 |
L |
= |
3 |
- |
5 |
LIGHT |
56 |
29 |
2 |
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Add to Reduce |
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- |
- |
- |
- |
2+0 |
Reduce to Deduce |
2+1+6 |
9+0 |
1+8 |
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Essence of Number |
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- |
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- |
- |
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5 |
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6 |
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1 |
1 |
9 |
5 |
- |
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- |
9 |
- |
8 |
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4+4 |
= |
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= |
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- |
- |
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14 |
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15 |
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19 |
19 |
9 |
14 |
- |
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- |
9 |
- |
8 |
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1+0+7 |
= |
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= |
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- |
- |
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1 |
3 |
3 |
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5 |
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3 |
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4 |
7 |
1 |
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7 |
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3 |
- |
7 |
- |
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4+6 |
= |
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1+0 |
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1 |
12 |
12 |
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5 |
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3 |
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13 |
16 |
1 |
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7 |
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12 |
- |
7 |
- |
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1+0+9 |
= |
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1+0 |
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- |
- |
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1 |
12 |
12 |
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5 |
14 |
3 |
15 |
13 |
16 |
1 |
19 |
19 |
9 |
14 |
7 |
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12 |
9 |
7 |
8 |
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2+1+6 |
= |
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= |
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1 |
3 |
3 |
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5 |
5 |
3 |
6 |
4 |
7 |
1 |
1 |
1 |
9 |
5 |
7 |
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3 |
9 |
7 |
8 |
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9+0 |
= |
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= |
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- |
- |
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1 |
1 |
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occurs |
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- |
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occurs |
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= |
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- |
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3 |
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occurs |
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1+2 |
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4 |
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occurs |
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= |
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- |
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5 |
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- |
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5 |
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- |
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occurs |
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1+5 |
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- |
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6 |
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occurs |
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7 |
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occurs |
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2+1 |
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occurs |
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occurs |
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1+8 |
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20 |
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20 |
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4+5 |
2+0 |
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- |
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4+5 |
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2+0 |
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9+0 |
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4+5 |
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2 |
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1 |
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5 |
5 |
3 |
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4 |
7 |
1 |
1 |
1 |
9 |
5 |
7 |
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3 |
9 |
7 |
8 |
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2 |
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1 |
1 |
9 |
5 |
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9 |
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8 |
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4+4 |
= |
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= |
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- |
- |
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14 |
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15 |
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19 |
19 |
9 |
14 |
- |
- |
9 |
- |
8 |
|
|
|
|
1+0+7 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
3 |
3 |
5 |
|
3 |
|
4 |
7 |
1 |
|
|
|
|
7 |
3 |
- |
7 |
- |
|
|
|
|
4+6 |
= |
|
1+0 |
|
|
|
|
|
1 |
12 |
12 |
5 |
|
3 |
|
13 |
16 |
1 |
|
|
|
|
7 |
12 |
- |
7 |
- |
|
|
|
|
1+0+9 |
= |
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
12 |
12 |
5 |
14 |
3 |
15 |
13 |
16 |
1 |
19 |
19 |
9 |
14 |
7 |
12 |
9 |
7 |
8 |
|
|
|
|
2+1+6 |
= |
|
= |
|
|
|
|
|
1 |
3 |
3 |
5 |
5 |
3 |
6 |
4 |
7 |
1 |
1 |
1 |
9 |
5 |
7 |
3 |
9 |
7 |
8 |
|
|
|
|
9+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
- |
|
|
|
5 |
|
|
|
|
- |
|
|
|
5 |
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
1+5 |
|
|
- |
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
1+8 |
|
|
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
|
|
|
|
4+5 |
2+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
4+5 |
- |
|
2+0 |
- |
9+0 |
- |
4+5 |
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
- |
- |
1 |
3 |
3 |
5 |
5 |
3 |
6 |
4 |
7 |
1 |
1 |
1 |
9 |
5 |
7 |
3 |
9 |
7 |
8 |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
ADVENT
360
15 |
THE PYRAMID TEXTS |
19 |
10 |
1 |
N |
THE |
33 |
15 |
|
- |
PYRAMID |
86 |
41 |
|
- |
TEXTS |
88 |
25 |
7 |
|
THE PYRAMID TEXTS |
207 |
81 |
18 |
- |
- |
2+0+7 |
8+1 |
1+8 |
|
THE PYRAMID TEXTS |
9 |
9 |
9 |
|
SAQQARA |
|
|
|
|
S |
19 |
10 |
|
|
AQ |
18 |
9 |
|
|
QA |
18 |
9 |
|
|
R |
18 |
9 |
|
|
A |
1 |
1 |
|
7 |
SAQQARA |
|
|
|
|
SAQQARA |
|
|
|
|
S |
19 |
10 |
|
|
AQ |
18 |
9 |
|
|
QA |
18 |
9 |
|
|
R |
18 |
9 |
|
|
A |
1 |
1 |
|
7 |
SAQQARA |
74 |
38 |
29 |
- |
- |
7+4 |
3+8 |
2+9 |
7 |
SAQQARA |
|
|
11 |
- |
- |
1+1 |
1+1 |
- |
7 |
SAQQARA |
2 |
2 |
2 |
THISISTHESCENEOFTHESEENUNSEENTHEUNSEENSEENOFTHESCENEUNSEENTHISISTHESCENE
|
THE |
33 |
15 |
|
|
GREAT |
51 |
24 |
|
|
PYRAMID |
86 |
41 |
|
2 |
OF |
21 |
12 |
3 |
4 |
GIZA |
43 |
25 |
7 |
21 |
Add to Reduce |
234 |
117 |
27 |
2+1 |
Reduce to Deduce |
2+3+4 |
1+1+7 |
2+7 |
3 |
Essence of Number |
9 |
9 |
9 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
4 |
STAR |
58 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
D |
= |
4 |
- |
5 |
DAVID |
40 |
22 |
4 |
B |
- |
13 |
|
14 |
Add to Reduce |
|
|
|
- |
- |
1+3 |
- |
1+4 |
Reduce to Deduce |
1+5+2 |
6+2 |
1+7 |
- |
- |
4 |
- |
5 |
Essence of Number |
|
|
|
MARKS THAT 9 NINE 9 THAT MARKS
N |
= |
5 |
- |
5 |
NEVER |
64 |
28 |
1 |
E |
= |
5 |
- |
4 |
EVER |
50 |
23 |
5 |
E |
= |
5 |
- |
6 |
ENDING |
53 |
35 |
8 |
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
E |
= |
5 |
- |
6 |
EVOLVE |
81 |
27 |
9 |
B |
- |
23 |
|
25 |
Add to Reduce |
|
|
|
- |
- |
2+3 |
- |
2+5 |
Reduce to Deduce |
3+0+2 |
6+2 |
3+2 |
- |
- |
5 |
- |
7 |
Essence of Number |
|
|
|
MARKS THAT 5 FIVE 5 THAT MARKS
NEVEREVERENDINGLOVEEVOLVE
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
NEVER |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
|
- |
|
18 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
|
- |
|
4 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
9 |
|
|
- |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
14 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
7 |
|
|
- |
|
7 |
7 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
F |
= |
3 |
|
|
- |
|
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
S |
= |
6 |
|
|
- |
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
S |
= |
6 |
|
|
|
|
15 |
6 |
6 |
|
|
|
|
|
|
|
|
|
|
F |
= |
3 |
|
|
- |
|
12 |
3 |
3 |
|
|
|
|
|
|
|
|
|
|
|
= |
4 |
|
|
- |
|
22 |
4 |
4 |
|
|
|
|
|
|
|
|
|
|
|
= |
5 |
|
|
- |
|
5 |
5 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
42 |
|
|
25 |
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+2 |
5+5 |
|
2+5 |
Add to Reduce |
3+0+2 |
6+2 |
3+2 |
|
|
|
|
2+4 |
5+5 |
1+2 |
|
|
2+7 |
- |
- |
42 |
|
|
7 |
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
|
58 |
Reduce to Deduce |
1+4 |
2+9+7 |
6+3 |
|
|
|
|
|
1+0 |
|
|
|
|
|
|
5+1 |
|
|
5+8 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
NEVEREVERENDINGLOVEEVOLVE
MARKS THAT 5 FIVE 5 THAT MARKS
55V5R5V5R55DI5GLOV55VOLV5
11 x 5 = 55 = 5 x 11
55
5+5
10
1+0
1
|
THE RAINBOW LIGHT |
|
|
|
3 |
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
15 |
THE RAINBOW LIGHT |
171 |
81 |
9 |
1+5 |
- |
1+7+1 |
8+1 |
- |
6 |
THE RAINBOW LIGHT |
9 |
9 |
9 |
4 |
PTAH |
- |
- |
- |
|
P+T |
36 |
9 |
|
|
A+H |
9 |
9 |
|
|
PTAH |
45 |
18 |
18 |
- |
- |
4+5 |
1+8 |
1+8 |
|
PTAH |
9 |
9 |
9 |
8 |
I-EM-HETEP |
- |
- |
- |
|
I |
9 |
9 |
|
|
EM |
18 |
9 |
|
|
HETEP |
54 |
27 |
|
|
I-EM-HETEP |
- |
- |
- |
11 |
OSIRIS SOKAR |
|
54 |
9 |
6 |
OSIRIS |
89 |
35 |
8 |
5 |
SOKAR |
64 |
19 |
1 |
11 |
OSIRIS SOKAR |
|
54 |
9 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
18 |
1 |
- |
1 |
18 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
9 |
1 |
- |
1 |
9 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
- |
1 |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
18 |
1 |
- |
1 |
18 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
T |
A |
9
- |
- |
- |
4 |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
- |
- |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
1 |
2 |
3 |
4 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
M |
U |
T |
A |
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 195
"Part 4: Anointing with the Seven Holy Oils (Utts. 72-78, 79, 81)
The fourth ceremony in the Unas liturgy begins at the west end of the second register (see fig. 7.1). It is the anointing with the seven holy oils (utts. 72-78), which have the effect on the mythological plane of "filling the Eye of Horus" (utt. 72). As we have seen, mythologically the Eye of Horus is torn out by Seth in their battle for supremacy over Egypt. This act plunges the night sky into darkness, for the Eye of Horus, cosmically understood, is the moon-the heavenly body that illumines the night. It is Thoth who finds the eye shattered into fragments and, having reassembled them, causes the moon to reappear after its short period of invisibility. In so doing, Thoth restores harmony and wholeness both macrocosmically and microcosmically.21 On the microcosmic level the restoration of the eye signifies the consolidation of spiritual power in the king.
Figure 7.8.(Omitted) The seven holy oils. From right to left, setch-heb perfume (festival perfume); hekenu oil; sefetch oil (or sesefetch, in utt. 74); nekhenem oil; tua oil; hat-ash oil (cedar oil); and hat-tchehennu oil (Libyan oil). Tomb of Pet-Amen-Apet.
Through the application of the seven holy oils, then, the Eye of Horns is filled. This is the mythic event that is activated by the application of the holy oils. In utterance 77, we read that through the anointing, the king becomes an akh ("shining spirit"), with sekhem ("power") in his body. The word for "body" here is tijet-the living body rather than the corpse. In this / Page 196 / utterance, the king is addressed as Horus, the living king, and the text is concerned with his attainment of both spiritual and physical power. In the other holy oil utterances (utts. 72-76 and utt. 78), the king is addressed as Osiris, but it is important to bear in mind that the king's identification with Osiris may have been only temporary. In the Sed festival "secret rites" of Niuserre, for instance, during which the living king underwent an Osiris identification, we know that sesefetch oil (referred to in utt. 74) was used.22
Figure 7.9. The offering of linen cloth. The "clothing" of the king symbolized his re-memberment after the Osirian dismemberment. Tomb of Pet-Amen-Apet.
The oils that were offered were composed of many different substances mingled together.23 Their names are descriptive of their healing properties rather than indicative of their composition. Thus the sesefetch oil of utterance 74 could be translated as "soothing oil," and was offered with the words:
Osiris Unas, accept the Eye of Horus on account of which he [i.e., Horus] suffered.
The nekhenem oil of utterance 75 had protective properties. It could be translated as "keeping safe oil" and was offered with the words:
Osiris Unas, accept the Eye of Horus that he [possibly Thoth] has kept safe.
There is here a paronomasia, or play on words, between the verb used at the end of the sentence (khenem) and the name of the oil (nekhenem oil).
This paronomasia is to be found in several other of the holy oil texts and we shall meet it again in later utterances, where it has the effect of magically enhancing the efficacy of the ritual act.
After the holy oils, linen is offered (fig. 7.9). The offering of the rolls of linen in utterance 81
has the symbolic significance of clothing the king as a resurrected Osiris. The cloth is provided by the cloth goddess Tayet, who has here the role of Isis, mythologically "weaving" the dismembered parts of the body of Osiris together / Page 197 /
again, thereby making him whole.24 The clothing of Osiris could be regarded as the feminine counterpart to the filling of the Eye of Horus. It marks the successful accomplishment of the Osirian process of reconstitution after the dismemberment.25 Thus this stage of the liturgy would seem to correspond to the phase in the Osirian rites when the king is awakened. We know that in the Sed festival "secret rites" of Niuserre, linen cloth was offered to the king, so once again the context of this offering is not necessarily funerary.26
Figure 7.10.(Omitted) Part of a procession of offering bearers: The one on the .left carries a tray of food; the one on the right carries a duck and some lotus
flowers. From a limestone fragment in the pyramid temple of Unas.
Part 5: The Feast (Utts. 25 and 32, 82-96, 108-71)
The transition from the fourth to the final part of the liturgy is marked by
the repetition of the two purification rites involving fire and water (utts. 25 and 32). The final part of the liturgy has to do entirely with the great feast. In the Ramesseum Dramatic Papyrus, a great feast was celebrated after the king had successfully undergone a most important "rite of passage" that concluded with his being symbolically reborn.27 Similarly, at the end of the Sed festival, an immense public feast traditionally was held. The reliefs in
the sun temple of Niuserre, who, like Unas, reigned during the Fifth Dynasty, refer to 30,000 meals being provided at the Sed festival of the king.28 Surviving relief fragments from the pyramid temple of Unas that show
offering bearers carrying trays of produce may well be portraying preparations for the public feast at the end of his Sed festival, rather than funerary offerings for the dead king (see figs. 6.8 and 7.10). The pattern of a banquet being held after the successful accomplishment of the most demanding rituals involving the renewal of the kingship can be observed in other kingship festivals, both in Egypt and in neighboring Mesopotamia. At the New Year festival of Niuserre, / Page 198 / for example, more than 100,000 meals were served.29 The equivalent festival in Mesopotamia, the Akitil, also concluded with a great feast, following the successful liberation of the god Marduk from the "house of bondage."3o It is possible therefore that this last part of the offering liturgy took place during the final stages of the Sed festival ceremonies. Certainly the traditions of a great feast serve to cremind us once more that the offering and consumption of food did not occur in an exclusively funerary context.
In the Offering Liturgy of the north wall, any public aspect of the banquet is ignored. The focus is entirely on the ritual presentation of food to the king. The banquet commences with Thoth bringing the table of offerings before the king, as an "Eye of Horus" (utt. 82). Then come fourteen utterances, each preceded by the formula "Osiris Unas, take the Eye of Horns," followed by the name of the particular offering presented-cake, bread, beer, and so on (utts. 83-96). After this there is another purification of the king, this time with water and natron (utts. 108-9), then a further fourteen offerings of bread and cakes (utts. 110-23). The number fourteen has both lunar and Osirian significance, since it corresponds both to the cycle of the moon and to the mythological fact that Osiris was cut into fourteen pieces by Seth. It is as if in this first part of the great feast, the full
cycle of the death and rebirth of both moon and Osiris is ritually enacted.
After this there are twelve utterances, all of which are meat offerings, save the second, which is of onions (utts. 124-35). As twelve is a number related to the solar cycle (the twelve hours of the day and the twelve hours of the night), it would appear that the great offering feast up to this point occurred against a cosmic backdrop of lunar and solar symbolism. Beyond this point, however, it is less easy to be sure of significant numerological correspondences. The twelve meat offerings are followed by five birds (utts. 136-40) and four more offerings of bread and cakes (utts. 141-44). These are followed by seven drink offerings (mostly different kinds of beer), each of two bowls, making fourteen bowls altogether (utts. 145-51). Then come figs (utt. 152), five different wine offerings (utts. 153-57), two offerings of bread (utts. 158-9), and again seven offerings of two bowls each of fruit and grain (utts.-60-66). The final five offerings are two bowls each of beans, beer, sweets, and so on (utts. 167-71).
If, as seems likely, the Offering Liturgy was not simply a "funerary" ritual but was also performed on and by the living king, then the offering of food in this final part of the liturgy can be understood as a feast celebrating the spiritual awakening of the king. Just as the moon dies for fourteen days and then returns to life again in the next fourteen days, and the sun journeys through the Underworld during the twelve hours of the night and / Page 199 / is then reborn in the morning to travel through the twelve hours of the day, so too does the king die and return to life. The great feast that forms the final part of the Offering Liturgy was a celebration of the king's return to life, and it was precisely this that occasioned the public festivities that in all likelihood accompanied this phase of the liturgy.
There is, in fact, a text on the east wall of the sarcophagus chamber that gives every indication that it is the living king who consumes the offerings, for the text begins with the officiating priest calling to the king:
Awake! Turn yourself about! So shout I. O king, stand up and sit down to a thousand of bread, a thousand of beer, roast meat of your rib-joints from the slaughter-house, and itehbread from the Broad Hall. The god is provided with a god's offering, the king is provided with this bread of his.31
Figure 7.11 shows a relief fragment from the pyramid temple of Unas depicting (in all probability) the king sitting in front of an offering table on which are arranged long slices of bread. In his left hand he holds the seshed cloth, which, as we have seen, was a symbol of the triumph of the human spirit over death.32
Figure 7.11. The king sits in front of an offering table on which are arranged long slices of bread. Relief fragment from the pyramid temple of Unas.
Page 198
"The number fourteen has both lunar and Osirian significance, since it corresponds both to the cycle of the moon and to the mythological fact that Osiris was cut into fourteen pieces by Seth. It is as if in this first part of the great feast, the full cycle of the death and rebirth of both moon and Osiris is ritually enacted."
OSIRIS = 89 89 = OSIRIS
8x9 = 72 72 =9x8
72 x 14
108
1+8
9
O |
= |
6 |
- |
6 |
OSIRIS |
89 |
35 |
8 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
20 |
2 |
S |
= |
1 |
- |
3 |
SET |
44 |
8 |
8 |
- |
- |
16 |
|
13 |
First Total |
|
|
|
- |
- |
1+6 |
- |
1+3 |
Add to Reduce |
1+8+9 |
6+3 |
1+8 |
- |
- |
7 |
- |
4 |
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
6 |
1 |
9 |
- |
9 |
1 |
|
|
|
2+6 |
= |
|
= |
|
|
|
|
|
15 |
19 |
9 |
- |
9 |
19 |
|
|
|
7+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
- |
9 |
- |
- |
|
|
|
- |
= |
|
= |
|
|
|
|
|
- |
- |
- |
18 |
- |
- |
|
|
|
1+8 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
15 |
19 |
9 |
18 |
9 |
19 |
|
|
|
8+9 |
= |
|
1+7 |
|
|
|
|
|
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
3+5 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
2 |
-`- |
|
|
|
|
|
|
|
|
|
TWO |
2 |
|
- |
|
- |
|
3 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
4 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
5 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
7 |
-`- |
|
|
|
|
|
|
|
|
|
SEVEN |
2 |
|
- |
|
- |
|
8 |
-`- |
|
|
|
|
|
|
|
|
|
EIGHT |
2 |
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
2+9 |
- |
|
|
|
|
|
|
|
|
1+6 |
- |
|
- |
- |
3+5 |
- |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
1+1 |
|
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
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|
|
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|
6 |
|
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|
|
|
|
|
- |
- |
|
|
6 |
1 |
9 |
- |
9 |
1 |
|
|
|
2+6 |
= |
|
= |
|
|
|
|
15 |
19 |
9 |
- |
9 |
19 |
|
|
|
7+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
- |
9 |
- |
- |
|
|
|
- |
= |
|
= |
|
|
|
|
- |
- |
- |
18 |
- |
- |
|
|
|
1+8 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
15 |
19 |
9 |
18 |
9 |
19 |
|
|
|
8+9 |
= |
|
1+7 |
|
|
|
|
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
3+5 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
- |
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
1+6 |
- |
|
- |
- |
3+5 |
- |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
6 |
1 |
9 |
9 |
9 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
O |
= |
6 |
- |
3 |
OSS |
53 |
26 |
8 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
I |
28 |
10 |
1 |
- |
- |
33 |
|
6 |
OSIRIS |
|
|
|
- |
- |
3+3 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
6 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
S |
= |
1 |
- |
3 |
SOS |
53 |
26 |
8 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
S |
= |
1 |
- |
3 |
SO |
34 |
16 |
7 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
IS |
28 |
10 |
1 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
6 |
|
9 |
- |
|
9 |
1 |
|
|
|
2+6 |
= |
|
= |
|
|
|
|
|
19 |
15 |
|
9 |
- |
|
9 |
19 |
|
|
|
7+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
|
- |
9 |
|
- |
- |
|
|
|
- |
= |
|
= |
|
|
|
|
|
- |
- |
|
- |
18 |
|
- |
- |
|
|
|
1+8 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
19 |
15 |
|
9 |
18 |
|
9 |
19 |
|
|
|
8+9 |
= |
|
1+7 |
|
|
|
|
|
1 |
6 |
|
9 |
9 |
|
9 |
1 |
|
|
|
3+5 |
= |
|
= |
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
2 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
TWO |
2 |
|
- |
|
- |
|
3 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
4 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
5 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
- |
- |
|
|
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|
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|
|
occurs |
x |
|
= |
|
= |
|
7 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
SEVEN |
2 |
|
- |
|
- |
|
8 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
EIGHT |
2 |
|
- |
|
- |
|
- |
- |
|
|
- |
|
|
- |
|
|
- |
- |
|
occurs |
x |
|
= |
|
2+7 |
|
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|
6 |
|
|
|
|
2+9 |
- |
|
|
|
|
|
|
|
|
|
|
1+6 |
- |
|
- |
- |
3+5 |
- |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
1+1 |
|
1 |
6 |
|
9 |
9 |
|
9 |
1 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
OSIRIS OR ISIS OSIRIS
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
O |
= |
6 |
- |
2 |
OR |
33 |
15 |
6 |
I |
= |
9 |
- |
4 |
ISIS |
56 |
38 |
2 |
- |
- |
15 |
|
6 |
OSIRIS |
|
|
|
- |
- |
1+5 |
- |
- |
- |
8+9 |
5+3 |
- |
- |
- |
6 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
OSIRIS OR ISIS OSIRIS
OSIRIS SO IRIS OSIRIS
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
S |
= |
1 |
- |
3 |
SO |
34 |
16 |
7 |
I |
= |
9 |
- |
4 |
IRIS |
55 |
37 |
1 |
- |
- |
10 |
|
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
8+9 |
5+3 |
- |
- |
- |
1 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
- |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
OSIRIS SO IRIS OSIRIS
- |
- |
- |
|
- |
OSIRIS |
- |
|
- |
S |
= |
1 |
- |
3 |
SOS |
53 |
26 |
8 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
- |
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
28 |
|
6 |
OSIRIS |
|
|
|
- |
- |
2+8 |
- |
- |
- |
8+9 |
5+3 |
3+5 |
- |
- |
10 |
- |
6 |
OSIRIS |
|
|
|
- |
- |
1+0 |
- |
- |
- |
1+7 |
- |
- |
- |
- |
|
- |
6 |
OSIRIS |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
1 |
6 |
1 |
|
9 |
- |
9 |
|
|
|
2+6 |
= |
|
= |
|
|
|
|
|
19 |
15 |
19 |
|
9 |
- |
9 |
|
|
|
7+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
- |
|
- |
9 |
- |
|
|
|
- |
= |
|
= |
|
|
|
|
|
- |
- |
- |
|
- |
18 |
- |
|
|
|
1+8 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
19 |
15 |
19 |
|
9 |
18 |
9 |
|
|
|
8+9 |
= |
|
1+7 |
|
|
|
|
|
1 |
6 |
1 |
|
9 |
9 |
9 |
|
|
|
3+5 |
= |
|
= |
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
2 |
-`- |
|
|
|
|
|
|
|
|
|
|
TWO |
2 |
|
- |
|
- |
|
3 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
4 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
5 |
-`- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
7 |
-`- |
|
|
|
|
|
|
|
|
|
|
SEVEN |
2 |
|
- |
|
- |
|
8 |
-`- |
|
|
|
|
|
|
|
|
|
|
EIGHT |
2 |
|
- |
|
- |
|
- |
- |
|
|
|
- |
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
2+9 |
- |
|
|
|
|
|
|
|
|
|
1+6 |
- |
|
- |
- |
3+5 |
- |
1+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
1+1 |
|
1 |
6 |
1 |
|
9 |
9 |
9 |
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 198
"Then come fourteen utterances, each preceded by the formula "Osiris Unas, take the Eye of Horus," followed by the name of the particular offering presented-cake, bread, beer, and so on (utts. 83-96)."
6 |
OSIRIS |
89 |
35 |
8 |
4 |
UNAS |
55 |
10 |
1 |
4 |
TAKE |
37 |
10 |
1 |
3 |
THE |
33 |
15 |
6 |
|
|
35 |
17 |
|
2 |
OF |
21 |
12 |
3 |
|
|
81 |
27 |
|
27 |
Add to Reduce |
351 |
126 |
36 |
2+7 |
Reduce to Deduce |
1+8+0 |
8+1 |
2+7 |
9 |
Essence of Number |
9 |
9 |
9 |
Page 198
"Then come fourteen utterances, each preceded by the formula "Osiris Unas, take the Eye of Horus," followed by the name of the particular offering presented-cake, bread, beer, and so on (utts. 83-96)."
OSIRIS UNAS TAKE THE EYE OF HORUS
14
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
O |
= |
6 |
|
27 |
OSIRIS UNAS TAKE THE EYE OF HORUS
|
351 |
126 |
|
|
|
84 |
|
|
First Total |
|
|
|
|
|
8+4 |
|
3+7+8 |
Add to Reduce |
4+9+1+4 |
1+7+6+4 |
5+0+4 |
|
|
|
|
|
Second Total |
|
|
|
|
|
1+2 |
|
2+7 |
Reduce to Deduce |
1+8 |
8+1 |
2+7 |
|
|
|
|
|
Essence of Number |
|
|
|
14
OSIRIS A SUN TAKE THE EYE OF HORUS
SHAMANIC WISDOM IN THE PYRAMID TEXTS
THE MYSTICAL TRADITION OF ANCIENT EGYPT
Jeremy Naydler 2005
The Sarcophagus Chamber Texts
Page 199
"Figure 7.11 shows a relief fragment from the pyramid temple of Unas depicting (in all probability) the king sitting in front of an offering table on which are arranged long slices of bread. In his left hand he holds the seshed cloth, which, as we have seen, was a symbol of the triumph of the human spirit over death.32"
HORUS A SUN A HORUS
THE SUN
Tuesday, December 27, 2005
FRONT PAGE
"IT WASN'T DEATH THAT WON THE DAY. . HUMANITY TRIUMPHED"
OSIRIS UNAS TAKE THE EYE OF HORUS
OSIRIS UNAS TAKE THE I OF HORUS
OSIRIS A SUN TAKE THE EYE OF HORUS
THEN SINGS MY SOUL MY SAVIOUR GOD TO THEE HOW GREAT THOU ART HOW GREAT THOU ART
- |
QUO
VADIS |
- |
- |
|
1 |
Q |
17 |
8 |
|
2 |
UO |
36 |
9 |
|
3 |
VAD |
27 |
9 |
|
1 |
I |
9 |
9 |
|
1 |
S |
19 |
1 |
|
8 |
QUO VADIS |
108 |
36 |
9 |
- |
- |
1+0+8 |
3+6 |
3+6 |
8 |
QUO
VADIS |
9 |
9 |
9 |
- |
QUO
VADIS |
- |
- |
|
3 |
QUO |
53 |
17 |
|
5 |
VADIS |
55 |
19 |
|
8 |
QUO VADIS |
108 |
36 |
9 |
- |
- |
1+0+8 |
3+6 |
3+6 |
8 |
QUO
VADIS |
9 |
9 |
9 |
8 |
QUO VADIS |
108 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
WHITHER |
91 |
46 |
|
5 |
GOEST |
66 |
21 |
|
4 |
THOU |
64 |
19 |
|
16 |
- |
221 |
86 |
5 |
1+6 |
- |
2+2+1 |
8+6 |
- |
7 |
- |
5 |
14 |
5 |
- |
- |
- |
1+4 |
- |
7 |
- |
5 |
5 |
5 |
Quo Vadis. I fled by night and in the grey of dawn met on the lonely
way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html
Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.
Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from
the Bible (John 13:36, 16:5). ...
en.wikipedia.org/wiki/Quo_Vadis -
From Wikipedia, the free encyclopedia
Jump to: navigation, search
Contents [hide]
1 Literature
2 Stage, film and TV
3 Art and architecture
4 Games
5 Other
6 Trivia
Quo vadis is a Latin phrase meaning "Where are you going?"
It is used as a proverbial phrase from the Bible (John 13:36, 16:5).
The most famous use is in the Apocryphal Acts of Peter.
The phrase's context is used in a literal or metaphorical
sense when an individual has left or is leaving for a long time and/or
distance.
Quo vadis may also refer to:
[edit] Literature
Quo vadis (novel): a renowned 1895 novel by Henryk Sienkiewicz
[edit] Stage, film and TV
Quo Vadis (1900 play): A Broadway play that opened at the New York Theatre
on April 9, 1900. It was produced by F. C. Whitney and written for the
stage by Hugh Stanislaus Stange from the Henryk Sienkiewicz novel.
Quo Vadis (1902 film): a French silent version directed by Lucien Nonguet
and Ferdinand Zecca, no cast credited.
Quo Vadis 1909 opera by Jean Nouges.
Quo Vadis (1912 film): an Italian silent version, adapted and directed
by Enrico Guazzoni, starring Amelia Cattaneo, Carlo Cattaneo, Lea Giunchi
and Giovanni Gizzi. Regarded by film historians as the first successful
feature-length motion picture, it inspired D. W. Griffith to make The
Birth of a Nation.
Quo Vadis (1924 film): an Italian silent film starring Elga Brink, Rina
De Liguoro, Lillian Hall-Davis, Emil Jannings and Elena Sangro. It was
adapted and directed by Gabriellino D'Annunzio and Georg Jacoby and
produced by Arturo Ambrosio.
Quo Vadis (1951 film): a lavish MGM production, directed by Mervyn LeRoy
and starring Robert Taylor, Deborah Kerr and Peter Ustinov.
Quo Vadis (1985 film): a television mini-series starring Klaus Maria
Brandauer, Frederic Forrest, Marie Therese Relin and Francesco Quinn.
It was directed by Franco Rossi and written by Ennio De Concini, Francesco
Scardamaglia and Franco Rossi.
Quo Vadis (2001 film): a Polish language version, directed by Jerzy
Kawalerowicz and starring Pawel Delag, Magdalena Mielcarz, Boguslaw
Linda and Michal Bajor.
As a quote, "Quo Vadis, Capt. Chandler?" from a 1975 episode
of M*A*S*H.
Stitched on the back of Gene from Eugene's shirt (Jeremy Davies') shirt
in Werner Herzog's film Rescue Dawn.
"Domine, Quo Vadis" by Annibale Carracci.
[edit] Art and architecture
Quo Vadis (church): The
"Chiesa del Domine Quo Vadis?"
The painting "Domine, Quo Vadis" ("Whither goest thou, Lord?") by Annibale Carracci
[edit] Games
Quo Vadis (board game):
A German-style board game by Reiner Knizia
Quo Vadis (1984 game):
A 1984 computer game released for the Commodore 64
Quo Vadis (video game):
A Japanese wargame for the Sega Saturn
[edit] Other
Quo Vadis (band): A Canadian
death metal band
Quo Vadis (Polish band):
A Polish thrash metal band
Quo Vadis (automobile):
A French automobile produced from 1921 to 1923
Quo Vadis (newspaper)
([1]): The campus newspaper of Middlesex County College
Quo Vadis (movie theater):
A now-shuttered cinema in Westland, MI
Quo Vadis (restaurant):
An Italian restaurant in Wakefield, United Kingdom
Quo Vadis (restaurant):
An Italian restaurant in Swan Hill, Australia
Quo Vadis (public house):
A Public house in Cardonald, Glasgow
Quo Vadis (song): A song
by the Japanese band Deadman ,on the "No alternative" album.
Quo Vadis (brand): The
name of a range of footwear released in India by Bata Shoes.
Quo Vadis (haircut): The
name of a style of haircut, where the hair is trimmed very short, popular
among some African-American men.
Quo vadis (specialty sandwich):
A sausage patty, topped with salami, ham,white american cheese, lettuce,
tomato, onion, mayo.and spiced olive oil on a butter toasted bun. Only
at george's lounge, canton, ohio. by big joe
[edit] Trivia
Quo Vadis is the title
of the Yearbook of the High School in O.B. Montessori Center Inc.
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
L |
= |
3 |
- |
5 |
LIGHT |
56 |
29 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
W |
= |
5 |
- |
3 |
WOW |
61 |
16 |
7 |
S |
= |
1 |
- |
6 |
SIGNAL |
62 |
26 |
8 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
S |
= |
1 |
- |
4 |
SETI |
53 |
17 |
8 |
L |
= |
3 |
- |
2 |
LO |
27 |
9 |
9 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
B |
= |
2 |
- |
6 |
BEHOLD |
46 |
28 |
1 |
S |
= |
1 |
- |
4 |
SUCH |
51 |
15 |
6 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
S |
= |
1 |
- |
6 |
SIGNAL |
62 |
26 |
8 |
A |
= |
1 |
- |
2 |
AS |
20 |
2 |
2 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
- |
- |
40 |
|
56 |
First Total |
|
|
|
- |
- |
4+0 |
- |
5+6 |
Add to Reduce |
6+0+3 |
2+4+3 |
7+2 |
- |
- |
4 |
- |
|
Second Total |
|
|
|
- |
- |
- |
|
1+1 |
Reduce to Deduce |
- |
- |
- |
- |
- |
4 |
|
|
Essence of Number |
|
|
|
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
VOX POP |
108 |
36 |
9 |
11 |
SORROW |
108 |
36 |
9 |
8 |
INSTINCT |
108 |
36 |
9 |
11 |
DESCENDANTS |
108 |
36 |
9 |
8 |
STARTING |
108 |
36 |
9 |
9 |
COMPLETES |
108 |
36 |
9 |
7 |
JOURNEY |
108 |
36 |
9 |
I
AM
THE
OPPOSITE OF THE OPPOSITE
I
AM
THE
OPPOSITE OF OPPOSITE
IS
THE
AM I ALWAYS AM
NAMASTE
Quo Vadis. I fled by night and in the grey of dawn met on the lonely
way a man I knew but could not name.He said “Good morning”, I the same ... rtnl.org.uk/now_and_then/html/242.html
Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.
Quo vadis is a Latin phrase meaning "Where are you going?" It is used as a proverbial phrase from
the Bible (John 13:36, 16:5). ...
en.wikipedia.org/wiki/Quo_Vadis -
Quo vadis is a Latin phrase meaning "Where are you going?"
It is used as a proverbial phrase from the Bible (John 13:36, 16:5).
Quo vadis may also refer to:
Quo vadis (novel): a renowned 1895 novel by Henryk Sienkiewicz
Quo Vadis (1900 play): A Broadway play that opened at the New York Theatre
on April 9, 1900.
Quo Vadis (1902 film): a French silent version directed by Lucien Nonguet
and Ferdinand Zecca, no cast credited.
Quo Vadis 1909 opera by Jean Nouges.
Quo Vadis (1912 film): an Italian silent version, adapted and directed
by Enrico Guazzoni,
Quo Vadis (1924 film): an Italian silent film starring Elga Brink, Rina
De Liguoro, Lillian Hall-Davis, Emil Jannings and Elena Sangro.
Quo Vadis (1951 film): a lavish MGM production, directed by Mervyn LeRoy
Quo Vadis (1985 film): a television mini-series starring Klaus Maria
Brandauer, Frederic Forrest, Marie Therese Relin
Quo Vadis (2001 film): a Polish language version, directed by Jerzy
Kawalerowicz and starring Pawel Delag, Magdalena Mielcarz,
As a quote, "Quo Vadis, Capt. Chandler?" from a 1975 episode
of M*A*S*H.
"Domine, Quo Vadis" by Annibale Carracci.
[edit] Art and architecture
Quo Vadis (church): The
"Chiesa del Domine Quo Vadis?"
The painting "Domine, Quo Vadis" ("Whither goest thou, Lord?") by Annibale Carracci
[edit] Games
Quo Vadis (board game):
A German-style board game by Reiner Knizia
Quo Vadis (1984 game):
A 1984 computer game released for the Commodore 64
Quo Vadis (video game):
A Japanese wargame for the Sega Saturn
[edit] Other
Quo Vadis (band): A Canadian
death metal band
Quo Vadis (Polish band):
A Polish thrash metal band
Quo Vadis (automobile):
A French automobile produced from 1921 to 1923
Quo Vadis (newspaper)
([1]): The campus newspaper of Middlesex County College
Quo Vadis (movie theater):
A now-shuttered cinema in Westland, MI
Quo Vadis (restaurant):
An Italian restaurant in Wakefield, United Kingdom
Quo Vadis (restaurant):
An Italian restaurant in Swan Hill, Australia
Quo Vadis (public house):
A Public house in Cardonald, Glasgow
Quo Vadis (song): A song
by the Japanese band Deadman ,on the "No alternative" album.
Quo Vadis (brand): The
name of a range of footwear released in India by Bata Shoes.
Quo Vadis (haircut): The
name of a style of haircut, where the hair is trimmed very short,
Quo vadis (specialty sandwich):
A sausage patty, topped with salami, ham,white american cheese, lettuce,
tomato, onion, mayo.
[edit] Trivia
Quo Vadis is the title
of the Yearbook of the High School in O.B. Montessori Center Inc.
1 |
8 |
QUO VADIS |
108 |
36 |
9 |
2 |
8 |
QUO VADIS |
108 |
36 |
9 |
3 |
8 |
QUO VADIS |
108 |
36 |
9 |
4 |
8 |
QUO VADIS |
108 |
36 |
9 |
5 |
8 |
QUO VADIS |
108 |
36 |
9 |
6 |
8 |
QUO VADIS |
108 |
36 |
9 |
7 |
8 |
QUO VADIS |
108 |
36 |
9 |
8 |
8 |
QUO VADIS |
108 |
36 |
9 |
9 |
8 |
QUO VADIS |
108 |
36 |
9 |
10 |
8 |
QUO VADIS |
108 |
36 |
9 |
11 |
8 |
QUO VADIS |
108 |
36 |
9 |
12 |
8 |
QUO VADIS |
108 |
36 |
9 |
13 |
8 |
QUO VADIS |
108 |
36 |
9 |
14 |
8 |
QUO VADIS |
108 |
36 |
9 |
15 |
8 |
QUO VADIS |
108 |
36 |
9 |
16 |
8 |
QUO VADIS |
108 |
36 |
9 |
17 |
8 |
QUO VADIS |
108 |
36 |
9 |
18 |
8 |
QUO VADIS |
108 |
36 |
9 |
19 |
8 |
QUO VADIS |
108 |
36 |
9 |
20 |
8 |
QUO VADIS |
108 |
36 |
9 |
21 |
8 |
QUO VADIS |
108 |
36 |
9 |
22 |
8 |
QUO VADIS |
108 |
36 |
9 |
23 |
8 |
QUO VADIS |
108 |
36 |
9 |
24 |
8 |
QUO VADIS |
108 |
36 |
9 |
25 |
8 |
QUO VADIS |
108 |
36 |
9 |
26 |
8 |
QUO VADIS |
108 |
36 |
9 |
27 |
8 |
QUO VADIS |
108 |
36 |
9 |
28 |
8 |
QUO VADIS |
108 |
36 |
9 |
29 |
8 |
QUO VADIS |
108 |
36 |
9 |
30 |
8 |
QUO VADIS |
108 |
36 |
9 |
31 |
8 |
QUO VADIS |
108 |
36 |
9 |
32 |
8 |
QUO VADIS |
108 |
36 |
9 |
33 |
8 |
QUO VADIS |
108 |
36 |
9 |
34 |
8 |
QUO VADIS |
108 |
36 |
9 |
35 |
8 |
QUO VADIS |
108 |
36 |
9 |
36 |
8 |
QUO VADIS |
108 |
36 |
9 |
- |
QUO
VADIS |
- |
- |
|
3 |
QUO |
53 |
17 |
|
5 |
VADIS |
55 |
19 |
|
8 |
QUO VADIS |
108 |
36 |
9 |
- |
- |
1+0+8 |
3+6 |
3+6 |
8 |
QUO
VADIS |
9 |
9 |
9 |
- |
8 |
Q |
|
|
- |
|
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|
- |
- |
- |
- |
- |
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- |
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6 |
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9 |
1 |
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1+6 |
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15 |
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9 |
19 |
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7 |
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8 |
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8 |
3 |
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4 |
1 |
4 |
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- |
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2+0 |
|
|
2+0 |
|
|
|
17 |
21 |
|
|
22 |
1 |
4 |
- |
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6+5 |
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1+1 |
2 |
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8 |
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- |
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17 |
21 |
15 |
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22 |
1 |
4 |
9 |
19 |
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1+0+8 |
|
|
- |
9 |
|
|
8 |
3 |
6 |
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4 |
1 |
4 |
9 |
1 |
|
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3+6 |
|
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- |
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- |
8 |
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1 |
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1 |
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occurs |
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2 |
2 |
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- |
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- |
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- |
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3 |
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- |
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occurs |
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3 |
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4 |
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4 |
- |
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8 |
5 |
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6 |
7 |
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9 |
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9 |
14 |
8 |
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- |
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1+4 |
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3+6 |
5 |
8 |
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17 |
21 |
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22 |
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1+0+8 |
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1 |
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9 |
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8 |
3 |
6 |
4 |
1 |
4 |
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1 |
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3 |
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4 |
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8 |
- |
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6 |
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- |
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6 |
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8 |
- |
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- |
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- |
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9 |
- |
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occurs |
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= |
9 |
8 |
Q |
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- |
- |
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- |
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- |
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- |
- |
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3+6 |
8 |
Q |
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- |
- |
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- |
8 |
3 |
6 |
4 |
1 |
4 |
9 |
1 |
- |
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- |
8 |
Q |
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- |
- |
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8 |
QUO VADIS |
108 |
36 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
7 |
WHITHER |
91 |
46 |
|
5 |
GOEST |
66 |
21 |
|
4 |
THOU |
64 |
19 |
|
16 |
- |
221 |
86 |
5 |
1+6 |
- |
2+2+1 |
8+6 |
- |
7 |
- |
5 |
14 |
5 |
- |
- |
- |
1+4 |
- |
7 |
- |
5 |
5 |
5 |
10 |
PRECESSION |
123 |
69 |
|
2 |
OF |
21 |
12 |
|
3 |
THE |
33 |
15 |
|
9 |
EQUINOXES |
129 |
57 |
|
24 |
Add to Reduce |
306 |
153 |
18 |
2+4 |
Reduce to Deduce |
3+0+6 |
1+5+3 |
1+8 |
6 |
Essence of Number |
9 |
9 |
9 |
- |
OSIRIS ISIS SET |
- |
- |
- |
|
OSIRIS |
89 |
44 |
|
4 |
|
56 |
38 |
2 |
3 |
|
44 |
17 |
8 |
15 |
SET ISIS OSIRIS |
189 |
99 |
18 |
1+5 |
|
1+8+9 |
9+9 |
1+9 |
6 |
ISIS OSIRIS SET |
18 |
18 |
9 |
- |
- |
1+8 |
1+8 |
- |
6 |
OSIRIS SET ISIS |
9 |
9 |
9 |
- |
- |
- |
- |
- |
|
NAMES OF GOD |
99 |
45 |
|
MAN AND THE STARS
CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE
Duncan Lunan 1974
THE MYSTERIOUS SIGNALS FROM OUTER SPACE
Page 323
DID ANYONE FOLLOW IT UP
13
"Oh whistle and i'll come tae you my lad . . ."
Page 835
IS ANYONE HERE NOW
14
"Arthur Clarke said we must learn to live with our/ Page 836 / selves, to meet others properly.14 Chris Boyce said here, in Chapter 8, that we should set our own house:" in order, in our relations with one another and with other life on Earth. Robert Burns said: "Oh wad some po'er the giftie gie us, to see oorsels as ithers see us. . . ." It's time we took some action on that basis; indeed, it always has been."
"Oh wad some po'er the giftie gie us, to see oorsels as ithers see us. . . ."
DAILY MAIL
Friday, August 15, 2008
Ephraim Hardcastle
Page 19
"Oh, wad some power the gift to gie us/ To see oursels as others see us"
MAN AND THE STARS
CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE
Duncan Lunan 1974
a liberating adventure for mankind? Or a disaster...?
Page 72
"Here John Macavey quoted Pope:
Observe how system into system runs,
What other planets circle other suns,
What varied beings people every star
OF TIME AND STARS
Arthur C. Clarke 1972
The Sentinel
"I can never look now at the Milky Way without wondering from which of those banked clouds of stars the emissaries are coming. If you will pardon so commonplace a simile, we have set off the fire alarm and have nothing to do but wait.
I do not think we will have to wait for long."
THE
DAWNING OF THE AGE OF AQUARIUS
Hair Soundtrack Lyrics, Lyrics - Aquarius Lyrics. ... The age of Aquarius Aquarius!Aquarius! Harmony and understanding
Sympathy and trust abounding ... www.stlyrics.com/lyrics/hair/Aquarius.htm - 9k
When the moon is in the Seventh House
And Jupiter aligns with Mars
Then peace will guide the planets
And love will steer the stars
This is the dawning of the age of Aquarius
The age of Aquarius
Aquarius!
Aquarius!
Harmony and understanding
Sympathy and trust abounding
No more falsehoods or derisions
Golden living dreams of visions
Mystic crystal revelation
And the mind's true liberation
Aquarius!
Aquarius!
When the moon is in the Seventh House
And Jupiter aligns with Mars
Then peace will guide the planets
And love will steer the stars
This is the dawning of the age of Aquarius
The age of Aquarius
Aquarius!
Aquarius!
3 |
BRAVE |
48 |
21 |
|
3 |
NEW |
42 |
15 |
|
5 |
WORLD |
72 |
27 |
|
8 |
Add |
162 |
63 |
36 |
- |
Reduce |
1+6+2 |
6+3 |
3+6 |
8 |
Deduce |
9 |
9 |
9 |
- |
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R |
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- |
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W |
- |
W |
O |
R |
L |
D |
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- |
- |
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- |
- |
- |
- |
- |
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- |
5 |
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- |
- |
- |
6 |
- |
- |
- |
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1+1 |
= |
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= |
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= |
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- |
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- |
14 |
|
- |
- |
- |
15 |
- |
- |
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2+9 |
= |
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= |
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W |
- |
W |
O |
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- |
- |
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- |
- |
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- |
- |
- |
- |
- |
|
2 |
9 |
1 |
4 |
5 |
- |
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5 |
5 |
- |
5 |
- |
9 |
3 |
4 |
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5+2 |
= |
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= |
|
= |
|
- |
|
2 |
18 |
1 |
22 |
5 |
- |
|
5 |
23 |
- |
23 |
- |
18 |
12 |
4 |
|
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1+3+3 |
= |
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= |
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= |
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- |
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R |
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- |
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W |
- |
W |
O |
R |
L |
D |
- |
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- |
- |
|
- |
- |
- |
- |
- |
|
2 |
18 |
1 |
22 |
5 |
- |
14 |
5 |
23 |
- |
23 |
15 |
18 |
12 |
4 |
|
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1+6+2 |
= |
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= |
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= |
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- |
|
2 |
9 |
1 |
4 |
5 |
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5 |
5 |
5 |
- |
5 |
6 |
9 |
3 |
4 |
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|
|
6+3 |
= |
|
= |
|
= |
|
- |
|
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
- |
- |
|
|
1 |
|
- |
- |
|
- |
- |
- |
- |
3 |
- |
3 |
3 |
|
|
|
occurs |
x |
|
= |
1 |
= |
1 |
- |
- |
2 |
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
2 |
- |
- |
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
3 |
|
|
|
|
occurs |
x |
|
= |
3 |
= |
3 |
- |
- |
|
|
|
4 |
|
- |
|
|
- |
- |
- |
- |
|
|
4 |
|
|
|
occurs |
x |
|
= |
8 |
= |
8 |
- |
- |
|
|
|
|
5 |
- |
5 |
5 |
5 |
- |
5 |
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
25 |
2+5 |
7 |
- |
- |
|
|
|
|
|
- |
|
|
- |
|
|
6 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
6 |
= |
6 |
7 |
- |
|
|
|
|
|
- |
- |
- |
|
- |
- |
- |
- |
3 |
3 |
|
|
|
SEVEN |
7 |
|
- |
- |
- |
- |
8 |
- |
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
EIGHT |
8 |
|
- |
- |
- |
- |
- |
- |
|
9 |
|
- |
|
- |
|
|
- |
- |
- |
- |
9 |
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
9 |
15 |
|
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
|
|
30 |
|
|
|
|
|
= |
|
1+5 |
1+3 |
|
|
|
|
5 |
- |
5 |
5 |
5 |
- |
5 |
- |
|
|
- |
|
|
3+0 |
|
|
|
|
6+3 |
- |
3+6 |
6 |
4 |
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
|
|
3 |
|
|
|
|
|
|
|
- |
- |
2 |
9 |
1 |
4 |
5 |
- |
5 |
5 |
5 |
- |
5 |
6 |
9 |
3 |
4 |
|
|
- |
|
|
|
|
- |
|
- |
6 |
4 |
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
|
|
3 |
|
|
|
|
|
|
|
|
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
|
|
|
- |
- |
|
- |
- |
- |
- |
|
|
|
|
|
|
- |
5 |
|
- |
- |
- |
6 |
- |
- |
- |
|
|
|
1+1 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
- |
14 |
|
- |
- |
- |
15 |
- |
- |
- |
|
|
|
2+9 |
= |
|
= |
|
= |
|
|
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
|
2 |
9 |
1 |
4 |
5 |
- |
|
5 |
5 |
- |
5 |
- |
9 |
3 |
4 |
|
|
|
5+2 |
= |
|
= |
|
= |
|
|
2 |
18 |
1 |
22 |
5 |
- |
|
5 |
23 |
- |
23 |
- |
18 |
12 |
4 |
|
|
|
1+3+3 |
= |
|
= |
|
= |
|
|
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
|
2 |
18 |
1 |
22 |
5 |
- |
14 |
5 |
23 |
- |
23 |
15 |
18 |
12 |
4 |
|
|
|
1+6+2 |
= |
|
= |
|
= |
|
|
2 |
9 |
1 |
4 |
5 |
- |
5 |
5 |
5 |
- |
5 |
6 |
9 |
3 |
4 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
|
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
- |
|
|
1 |
|
- |
- |
|
- |
- |
- |
- |
3 |
- |
3 |
3 |
|
|
|
occurs |
x |
|
= |
1 |
= |
1 |
- |
2 |
|
|
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
2 |
- |
|
|
|
|
|
- |
|
|
- |
- |
- |
- |
|
3 |
|
|
|
|
occurs |
x |
|
= |
3 |
= |
3 |
- |
|
|
|
4 |
|
- |
|
|
- |
- |
- |
- |
|
|
4 |
|
|
|
occurs |
x |
|
= |
8 |
= |
8 |
- |
|
|
|
|
5 |
- |
5 |
5 |
5 |
- |
5 |
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
25 |
2+5 |
7 |
- |
|
|
|
|
|
- |
|
|
- |
|
|
6 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
6 |
= |
6 |
- |
|
9 |
|
- |
|
- |
|
|
- |
- |
- |
- |
9 |
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
9 |
|
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
|
|
30 |
|
|
|
|
|
= |
|
1+3 |
|
|
|
|
5 |
- |
5 |
5 |
5 |
- |
5 |
- |
|
|
- |
|
|
3+0 |
|
|
|
|
6+3 |
- |
3+6 |
4 |
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
|
|
3 |
|
|
|
|
|
|
|
- |
2 |
9 |
1 |
4 |
5 |
- |
5 |
5 |
5 |
- |
5 |
6 |
9 |
3 |
4 |
|
|
- |
|
|
|
|
- |
|
- |
4 |
|
R |
|
|
|
- |
|
|
W |
- |
W |
O |
R |
L |
D |
|
|
3 |
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
W |
W |
O |
R |
L |
D |
|
|
|
- |
- |
|
- |
- |
- |
- |
|
|
|
|
|
|
5 |
|
- |
- |
6 |
- |
- |
- |
|
|
|
1+1 |
= |
|
= |
|
= |
|
|
|
|
|
|
|
14 |
|
- |
- |
15 |
- |
- |
- |
|
|
|
2+9 |
= |
|
= |
|
= |
|
|
|
R |
|
|
|
|
|
W |
W |
O |
R |
L |
D |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
|
2 |
9 |
1 |
4 |
5 |
|
5 |
5 |
5 |
- |
9 |
3 |
4 |
|
|
|
5+2 |
= |
|
= |
|
= |
|
|
2 |
18 |
1 |
22 |
5 |
|
5 |
23 |
23 |
- |
18 |
12 |
4 |
|
|
|
1+3+3 |
= |
|
= |
|
= |
|
|
|
R |
|
|
|
|
|
W |
W |
O |
R |
L |
D |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
|
2 |
18 |
1 |
22 |
5 |
14 |
5 |
23 |
23 |
15 |
18 |
12 |
4 |
|
|
|
1+6+2 |
= |
|
= |
|
= |
|
|
2 |
9 |
1 |
4 |
5 |
5 |
5 |
5 |
5 |
6 |
9 |
3 |
4 |
|
|
|
6+3 |
= |
|
= |
|
= |
|
|
|
R |
|
|
|
|
|
W |
W |
O |
R |
L |
D |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
- |
|
|
1 |
|
- |
|
- |
- |
- |
3 |
- |
3 |
3 |
|
|
|
occurs |
x |
|
= |
1 |
= |
1 |
- |
2 |
|
|
|
- |
|
- |
- |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
= |
2 |
- |
|
|
|
|
|
|
|
- |
- |
- |
|
3 |
|
|
|
|
occurs |
x |
|
= |
3 |
= |
3 |
- |
|
|
|
4 |
|
|
|
- |
- |
- |
|
|
4 |
|
|
|
occurs |
x |
|
= |
8 |
= |
8 |
- |
|
|
|
|
5 |
5 |
5 |
5 |
5 |
- |
|
|
- |
|
|
|
occurs |
x |
|
= |
25 |
2+5 |
7 |
- |
|
|
|
|
|
|
|
- |
|
6 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
6 |
= |
6 |
- |
|
9 |
|
- |
|
|
|
- |
- |
- |
9 |
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
9 |
|
|
R |
|
|
|
|
|
W |
W |
O |
R |
L |
D |
|
|
30 |
|
|
|
|
|
= |
|
1+3 |
|
|
|
|
5 |
5 |
5 |
5 |
5 |
- |
|
|
- |
|
|
3+0 |
|
|
|
|
6+3 |
- |
3+6 |
4 |
|
R |
|
|
|
|
|
W |
W |
O |
R |
L |
D |
|
|
3 |
|
|
|
|
|
|
|
- |
2 |
9 |
1 |
4 |
5 |
5 |
5 |
5 |
5 |
6 |
9 |
3 |
4 |
|
|
- |
|
|
|
|
- |
|
- |
4 |
|
R |
|
|
|
|
|
W |
W |
O |
R |
L |
D |
|
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
9 |
- |
8 |
|
|
|
5 |
|
|
|
9 |
|
|
|
|
5 |
|
|
|
6 |
|
|
|
|
|
4+2 |
= |
|
= |
|
|
|
|
|
- |
9 |
- |
8 |
|
|
|
14 |
|
|
|
9 |
|
|
|
|
14 |
|
|
|
15 |
|
|
|
|
|
6+9 |
= |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
3 |
- |
7 |
- |
|
|
1 |
|
4 |
|
3 |
|
6 |
5 |
|
1 |
|
4 |
|
3 |
|
4 |
5 |
|
|
|
4+8 |
= |
|
1+2 |
|
|
|
|
|
12 |
- |
7 |
- |
|
|
1 |
|
4 |
|
12 |
|
6 |
5 |
|
1 |
|
4 |
|
12 |
|
22 |
5 |
|
|
|
1+1+1 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
12 |
9 |
7 |
8 |
|
|
1 |
14 |
4 |
|
12 |
9 |
6 |
5 |
|
1 |
14 |
4 |
|
12 |
15 |
22 |
5 |
|
|
|
1+8+0 |
= |
|
= |
|
|
|
|
|
3 |
9 |
7 |
8 |
|
|
1 |
5 |
4 |
|
3 |
9 |
6 |
5 |
|
1 |
5 |
4 |
|
3 |
6 |
4 |
5 |
|
|
|
9+0 |
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
occurs |
x |
|
= |
|
= |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
4 |
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
- |
5 |
|
|
|
|
|
|
|
- |
5 |
|
|
|
|
|
|
- |
- |
|
occurs |
x |
|
= |
|
2+0 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
occurs |
x |
|
= |
|
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
- |
|
occurs |
x |
|
= |
|
1+8 |
|
|
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
19 |
|
|
|
|
4+5 |
1+9 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
- |
|
1+9 |
- |
9+0 |
- |
4+5 |
|
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
|
|
|
- |
1+0 |
3 |
9 |
7 |
8 |
|
|
1 |
5 |
4 |
|
3 |
9 |
6 |
5 |
|
1 |
5 |
4 |
|
3 |
6 |
4 |
5 |
|
|
- |
- |
|
1+0 |
- |
- |
- |
- |
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1 |
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